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Below you'll find an overview of Adventure Games that have received a very high rating based on our reviews, the list is sorted based on highest rated Adventure Game first combined with recency of the review we've done.

The Flower Collectors  (2020)

Investigating a murder mystery tinged with political corruption from a balcony makes for a compelling concept, but the passive gameplay, slow pace and poor animation prevents The Flower Collectors from ever fully blooming.

The Blind Prophet  (2020)

The Blind Prophet has an appealing graphic novel aesthetic and an interesting premise, but it’s not enough to compensate for a poor translation and bland, frustrating gameplay.

A Long Road Home  (2016)

A Long Road Home won’t be everyone’s cup of tea and may even attract the altogether wrong audience given its JRPG aesthetic, but there are enough positive aspects that a good time shines through from time to time.

SIMULACRA 2  (2019)

Although it doesn’t feel entirely phoned-in, SIMULACRA 2 fails to either build on its predecessor’s style or provide enough worthwhile substance of its own, making for a sequel that isn’t quite transmitting at full strength.

Brukel  (2019)

While less a game than a very short, barely-interactive audio biography, Brukel does manage to bring the civilian horrors of World War II to life in a very unique, personal way.

We. The Revolution  (2019)

We. The Revolution’s striking looks and memorable moments are all too often overshadowed by myriad gameplay mechanics and a constrained, confusing plot.

Some Distant Memory  (2019)

Some Distant Memory tackles serious topics—love, mortality, and environmental destruction chief among them—but its short playtime means it never has the chance to explore them in much depth, and its discovery-based play style may leave players wishing they had more to do.

The Death of Erin Myers  (2019)

Its unusual choice to feature an unethical protagonist is welcome, but even for an interactive short story The Death of Erin Myers is too short, as the story is not developed enough and the gameplay is too easy to create the emotional impact it strives for.

Headspun  (2019)

It has an interesting, thought-provoking story and takes an innovative approach in combining different gaming genres, but Headspun’s implementation is uneven and results in equal measures of fun and frustration.

Outlast 2  (2017)

A faltering sequel that borrows even more liberally from well-worn horror tropes than its predecessor, Outlast 2 ends up a middling entry despite its high production values and some shining moments of found footage fright.

Firewood  (2017)

Firewood is effective in its creepiness, but it’s hobbled by a confusingly disjointed story, overly simple puzzles and a brutally short playtime.

Where the Bees Make Honey  (2019)

Where the Bees Make Honey throws half a dozen different gameplay types at the wall, but with such an abbreviated play time very few of them are able to stick.

Night Call  (2019)

Night Call is neither a great mystery nor a great cabbie simulator, but if you like dialogue and weird characters, this unique visual novel-style adventure is an interesting distraction.

Odysseus Kosmos and his Robot Quest  (2019)

The five-part Odysseus Kosmos and his Robot Quest sets up an interesting sci-fi story with a beautiful pixel art presentation, but it has a number of flaws that create an uneven experience overall.

The Subject  (2018)

The Subject tries to take the helpless cat-and-mouse horror of games like Amnesia and meld it with player-guided puzzle solving, but doesn’t push either angle as much as it should. The result is a middling mix of both, though a welcome casual mode implemented post-launch at least puts the focus on gameplay over survival.

Adventures of Isabelle Fine: Murder on Rails  (2019)

Adventures of Isabelle Fine: Murder on Rails provides a fresh take on the detective investigation but gets sidetracked by overly repetitive puzzle sequences and an extraterrestrial storyline that’s not as stimulating as its human subplots.

The Black Widow  (2019)

The Black Widow is an interesting reflection on the real life case of Louisa Collins, the last woman hanged in Australia, but doesn’t provide enough depth or any surprises to make it truly memorable.

Yume Nikki – Dream Diary  (2018)

Too unremarkable to share in its predecessor’s cult status and too clunky to rival its modern competition, Yume Nikki – Dream Diary is a reverential yet surprisingly unfaithful reimagining of its 2004 namesake.

The Fall of Lazarus  (2017)

While The Fall of Lazarus is light on puzzles and blandly produced, its story packs a punch in dealing with relevant real-world issues that will leave you thinking about the game long after you have finished.

Dance of Death: Du Lac & Fey  (2019)

When it sticks with its legendary Arthurian title characters, Dance of Death: Du Lac & Fey has some charming moments, but the rest of this Victorian England hunt for Jack the Ripper is a tedious, barely interactive slog.

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