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Walkthrough for Sherlock Holmes: Chapter One (Other Cases)

Walkthrough for Sherlock Holmes: Chapter One (Other cases)

"Mother's love"

"Ghosts of the Past"
"Master of Transformation"
"Police Investigations"
"Dog fights";
"Delezh";
"Incident at the cemetery";
"Scapegoat";
"This is w-w-w for a reason."
"Golden Cage"
"Overseas Muse"
"Sacrificial Lamb"

Mycroft cases

"Eel Catching"
"The Lost Shopkeeper"
"Love, Death, Cordona"

Cordona Tales

"Silence is golden"
"Treasure Island" (stages 1-3)
"For the birds"
"The Tale of the Empty House"
"The Ghost Hunter"
"The Hand-Me-Down"
"Flashes of Merriment"
"Pillar with knives"
"A Mad Rogue"

Other cases

"Song of the Siren"
"Blind Shooting"
"String theory"
"Street Tricks"
"Iron Coffin"

DLC cases

Sherlock Holmes Chapter One - Saints and Sinners (DLC)
Sherlock Holmes Chapter One - Victorian Starter Pack (DLC)
Sherlock Holmes Chapter One - Beyond a Joke (DLC)
Sherlock Holmes Chapter One - Mycroft's Pride (DLC)

Case: "The Siren Song"

We are heading to the Walking Dutchman pub , located in the southern part of Silverton.

We listen to the conversation of two sailors.

Choose phrases:

- "Siren work";

- "Police on the spot";

- "Coast, not far from the harbor."

A new place on the map - "The Drowned Sailor ".

The legend of the sirens

“On the coast, not far from the cemetery, they found a drowned sailor. They say that the sirens are to blame for everything, but, of course, these are prejudices. Or not?".

We go to the place where the body was found. We speak with the policeman guarding the body.

Crime scene on the beach

"The policeman is sure that this is an accident, but his hypothesis does not seem credible to me."

We look at the water. We examine the corpse:

- forehead;

- face;

- right hand;

- right shoe

Look at the footprints in the sand.

Footprints at the crime scene

"I found traces of three pairs of shoes at the crime scene."

In the concentration mode, we consider traces. We follow the tracks to the pier, we find a cigarette butt. We examine it (rotate until two active points appear).

We return to the corpse, we examine the bottle lying nearby (we rotate until two active points appear).

wine sample

“I found a half-empty bottle of wine next to the drowned sailor.”

We carry out chemical analysis of wine.

"The sediment contains cyanide."

Crime scene on the beach

“We need to tell the police about the findings.”

We speak with the policeman.

Another drowned sailor

“Another sailor drowned in a fountain. Someone told the police about the body. The body was found in Scaladi.

We activate the evidence "Another drowned sailor." We go to the police station.

We pass into the archive. Set search parameters:

Crimes - "Crimes against the person";

Subjects - "Victims";

Districts – “Scaladio.

A new place on the map - " Public Park ".

Report #12-27

“A certain sailor drowned in the public park fountain at Horbor Street and Baskerville Street…. A trace of lipstick was found on the cheek of the deceased.

We head to the Public Park.

Crime scene in the park

“The body has already been removed, but the police might have missed something.”

We examine the places marked with police signs:

Plate number 1

- fountain.

Plate number 2

- COTTON SHAWL.

The note "Warning" lying on the bench, next to the shawl.

Leather belt pouch on the floor.

Plate number 3:

- a fragment of a bottle without a label:

- a cigarette butt with traces of lipstick (rotate until two active points appear);

- Weekly newspaper.

"The cigarette with traces of red lipstick is similar to the one I found on the beach."

Plate number 4:

- SAILOR'S CAP;

- empty bottle;

- cigarette butts.

"The bottle is empty, but looks exactly like the one that contained the poison."

Activate the retrospective sphere, restore the events:

Plate number 1

"A woman pushes a sailor into a fountain."

Plate number 2

"The sailor takes out a pouch, the woman hugs him with one hand."

Plate number 3

"A woman smokes while standing near a bench."

Plate number 4

"A sailor drinks wine from a bottle, a woman looks at him."

Wet business

"John noticed something interesting in the fountain."

We consider in the fountain:

- fork;

- coins;

- a soaked box of matches.

Wet box of matches

"The pub is south of Silverton, by the Victoria Bridge."

We return to the pub "Walking Dutchman". We enter the pub.

We speak with the bartender.

“The bartender does not like land rats. He knows something, but does not say. Till".

We leave the bar. We put on naval uniforms and return. We speak with the bartender.

A new place on the map - "Sparrow Club ".

Guilt-weary sailor

“The comrade of the deceased rents a room in the Walking Dutchman.

Another Dead Sailor (argument with John)

“We learned that another sailor was found dead behind the Great Sparrow Club on Queen Street, near the intersection with Gloria Lane in Scaladi. John asked to know what happened."

We go to the scene of the murder. We speak with the policeman, examine the corpse:

- a wound on the head;

- a stone with traces of blood;

- a broken rum bottle (rotate until an active point appears);

- a footprint on the ground near the feet.

“The sailor allegedly became a victim of a curse. John is glad I listened to him."

We speak with the policeman.

Guilt-weary sailor

We return to the pub "Walking Dutchman". We go up to the room where the drunken sailor is sleeping on the bed.

We examine the chair in the corner:

- "LETTER FROM ELSA" (rotate until an active point appears);

- a photo in a frame (rotate until two active points appear).

Notice the bottles on the table. We look at the sailor.

Elsa's letter

"Dear Harry. Would you like to visit me in the pleasure garden? With thoughts of you, Eliza."

We go down to the pub. We activate the evidence "Elsa's Letter", we turn to the sailor (a new place on the map "Garden of Delight"). We leave the pub, head to one of the clothing sellers.

We buy a sailor's uniform. We put on a sailor's cap, glue a thick beard to look like Harry Thorne. We go to the " Garden of Delights ".

We speak with Eliza, we agree to go with her.

Take the BOTTLE OF WINE from the table (rotate until two active points appear and pick it up).

We pass into the bedroom. Looking at the chest:

- photo in a frame;

- notice of the arrival of the ship;

- A LETTER FROM THE MOTHER.

Pour the wine into a pot with ficus.

We examine the dressing table:

- lipstick;

- cigarettes in a cigarette case;

- a bottle of cyanide;

- "ELSA'S DIARY" in the drawer.

We speak with the entered Elsa. We choose the option of the replica “Yes, right, what you need” in order to hear why Elsa takes revenge on the sailors.

We decide what to do (any decision is worth 40 coins).

Case: "Blindsighted"

We move to the building of the newspaper "Chronicle" .

We listen to the conversation of two men.

Choose phrases:

- "Accurate shots";

- "Blinded";

- "In the old ruins."

Sharp eye

“There are rumors that a man was murdered in the old ruins in the southwest of Grand Paradise. He was allegedly shot in the eye. I don’t know how much truth there is in this, but it’s worth finding out. ”

We head to the " Old Ruins " in the southwest corner of the Grand Barn.

We speak with the undertaker.

Undertaker's testimony

“The undertaker does not want to name the victim. We need to show him the evidence and prove that it was a murder.”

Sharp eye

We examine the evidence marked by police signs at the scene of the murder:

Plate number 1

body of the deceased:

- BIRD CAGE KEY in the right pants pocket (rotate until an active point appears and pick it up);

- a wound on the chest;

- bandage on the eyes;

- revolver (rotate until two active points appear).

Plate number 2

- scattered cartridges;

- eye patch;

- footprints in the sand (in concentration mode).

Plate number 3

- a box for dueling pistols (rotate until three active points appear);

Plate number 4

- "CLUB RULES";

- "AGREEMENT OF DUELISTS".

True Blind Duelist (argument with John)

"During the investigation, all the rules of the Blind Duelists Club must be observed."

duelist's footprints

"One of the duelists turned his back on the enemy and fired in the opposite direction."

From the stone block we take away the SUIT OF THE DUELIST (cloakroom replenishment).

We activate the evidence “Traces of the duelist”. We rise to the place in the direction of which the second duelist fired. We note the presence of traces of paint .

We go around the blocks, raise the revolver from the ground (rotate until two active points appear).

Revolver Le Ma

“Loaded with live ammunition. I found him at the scene of the murder."

Duel in the ruins

We interact with the sphere of retrospective, restore the course of events.

Plate number 1

"Man falls on his back after being shot in the chest."

Plate number 2

“The second duelist turns around and fires in the opposite direction.

Plate number 3

"The second drops the pistol box."

Between plates #2 and #3

"Duelists take pistols from a box held by a second."

On the hill

"A man in a hat shoots one of the duelists."

“Perhaps there was one of the strangers here.”

We restore the events, only on a hill we change the figure of a man in a hat to the figure of an unknown person , and near plate No. 3, the second grabs his head .

True blind duelist

We speak with the undertaker, select the replica "Let's get down to business."

"The first rule is observed."

Duel in the ruins

We present the evidence "Duel in the ruins" as evidence.

Killed with a blindfold

“The name of the victim is Erich von Staub. He lived in Scaladi.

Undertaker's testimony

“The undertaker claims that this is not the first death in a duel in Cordon. A similar accident happened in the Old City last year. This event was on the front page of the local paper."

We activate the evidence "The Undertaker's Testimony". We go to the editorial office of the Chronicle.

We go into the archive, set the search parameters:

Period - "1870-1879".

Section - "Editorial".

Areas - "Old City".

Evidence - Chronicle, 1879.

Killed with a blindfold

We activate the evidence "Killed with a bandage over his eyes." We go to the police station.

We go into the archive, set the search parameters:

Crimes - "Crimes against the person";

Subjects - "Victims";

Districts - "Scaladio".

"Report No. 32-07".

“A man was killed in the Old Ruins. The victim was identified as Erich von Staub.... Magda Irma von Staub sister. Address: Von Staub Mansion, Baskerville Street, between Vernet Street and Bonaparte Street, south of Scaladi.

We put on the uniform of a policeman, we go to the von Staub mansion .

From the editors of the Chronicle, we follow Baskerville Street to the south. We enter the mansion.

We speak with Miss Magda. Let's study it:

- face (tired look);

- chest (uses ointment for the skin);

- ribbon (in mourning);

- right hand (fresh bruise);

- right hand (red spot);

- left arm (old bruises);

- the hem of the dress (splashes of paint).

We make a portrait: "They often beat me." We ask Miss Magda questions, we get the KEY WITH THE IMAGE OF A HORSE from Erich's room.

We examine the piano standing in the corner:

- notes;

- a photo in a frame (rotate until two active points appear).

True blind duelist

We leave through the second door to the courtyard. We shoot at vases.

"The second rule is observed."

We go upstairs, open Erich's bedroom.

Looking at the table:

- "LETTER OF DEBT";

- a photo of a man in a frame (rotate until two active points appear);

- "LETTER TO MINISTER BODDINGTON";

- a photo of "Blindfolded Men" in a frame (rotate until two active points appear);

- "LETTER FROM THE MINISTRY".

In the concentration mode, we look at the table on which there are two boxes with pistols ("MISSING WEAPON BOX"). We examine the whip on the bedside table on the left.

In concentration mode, look at the bedside cabinet on the right ("BURNED LETTERS").

Burnt letters

“In Erich's room, I found burnt letters. I'll try to restore them."

We carry out a chemical analysis of the burnt letters.

“I was able to make out a few fragments. The handwriting is different, which means the letters are from different people.

We leave into the corridor, go to the door opposite.

On the dressing table, to the left of the bed, examine the JAR WITH OINTMENT (rotate until an active point appears and pick it up). Notice the bullet holes in the painting on the chair at the foot of the bed.

We look at the pictures hung on the windows. We draw attention to the painting "The End and the Beginning", which depicts the "Old Ruins". Looking at a painting on an easel:

- image of Erich;

- empty cartridges under the picture;

- palette on the left.

Testimony of Magda von Staub

We activate the evidence "Indications of Magda von Staub", we go out into the corridor. We turn with a question to the maid cleaning the floor.

"Von Staub's servants confirm that Miss von Staub did not leave the house on the day of the murder."

Blindfolded men

We activate the evidence "Blindfolded Men", we turn to the girl.

According to the servant, Erich always walked if he dressed up in a yellow suit. I haven't been able to find out anything else."

We go down, we speak with Miss Magda, choosing evidence:

"Black Paint Sample";

"Burned Letters";

"Missing Weapon Box";

"Letter to Mr. Boddington".

Blindfolded men

We activate the evidence "Blindfolded Men", we leave the room. We turn to the girl cleaning clothes.

“They say this sign is depicted on the mansion of some aristocrat, in the south of Grand Saray. Perhaps you should talk to the local nobility.

We put on the “Duelist Costume”. We leave the mansion, move to the south of the Grand Shed .

We turn with a question to one of the aristocrats.

“I was told that this is the emblem of a prestigious club, which is located on Baskerville Street, between Salts Row and Silent Way. Outsiders are not allowed in."

We ship to the specified address .

We enter the club building.

In the hall we examine the portraits on the walls, the "GUEST BOOK OF THE CLUB" on the far table on the right and the stand for applications.

The missing revolver

In concentration mode, look at the stand on the right.

“One of the glass exhibition stands in the von Kramm mansion was empty. It usually held Le Ma's revolver."

We pass through the door on the left, we go down to the training room.

True blind duelist

In the battle we do not kill anyone, we only arrest (you can skip it).

"Third rule observed."

We examine the table in the right near corner:

- a broken wine glass on the carpet on the left;

- "TELEGRAMS";

- two glasses;

- a bottle of schnapps.

In the far right corner in the concentration mode, we look at the lamp, we find the mechanism. We interact with him twice, we open a secret passage.

We study the mechanism in the center of the room.

On the table near the wall on the left we examine the "BOOK OF BLIND DUELS" and capsules from dueling pistols, we study the map hanging on the wall, which indicates secluded places for duels.

HISTORY - "The Book of Blind Duelists".

We go to the opened passage.

We go up the stairs, enter the room. We speak with the man in the cylinder.

Let's consider it:

- eyes (glass eye);

- badge on the lapel (the best shooter of the club);

- left arm of the jacket (red spot);

- right hand (ring with the coat of arms of von Kramm);

- left trouser leg (dirt from old ruins).

Making a portrait "May be a killer." We ask questions, stop talking.

We inspect the recording device and records in Braille on the table under the family tree. We look at the bust and at the photograph in the frame (rotate until two active points appear), standing on the piano. We read a newspaper lying on a stool. We examine the photo on the wall and the books on the locker. We study the "PERSONAL LETTER" lying on the safe (we rotate until two active points appear). We look at the magnifying glass attached to the table lamp.

We talk with von Kramm on the topics:

"Personal letter";

"The Lost Revolver";

"Jar of ointment";

"Letter of debt";

Chronicle, 1879;

"Le Ma's Revolver".

We change into police uniforms. We leave the club building, go to the von Staub mansion. We blame Miss Magda:

What was the weapon of the crime? - "Missing weapon box";

When could the crime be committed? - "Duel in the ruins";

What was the motive? “Letter to Mr. Boddington.”

We make a choice.

Case: “String theory”

On the street, in front of the Cordona police building, two men are talking. Let's listen to their conversation.

Choose phrases:

- "Center Scaladio";

- "Music teacher";

- "The violin was recently stolen."

Musician in trouble

"Near the Cathedral of St. Clement in the center of Scaladi, a local music teacher posted signs asking for help in finding a stolen violin."

We go to the Cathedral of St. Clmient .

We read one of these ads.

violin stolen

“Someone stole my violin. If you have any information that will help me return the tool, I'll meet you at Prfessor's Road, north of Adler Street in Scaladi. Anthony Jones.

We go to the specified address .

We pass under the arch, we speak with Anthony Jones.

Help a musician

“I suggested to Mr. Jones that he find his violin. He invited me to inspect the crime scene."

We enter the house. We activate the evidence “Help to the musician”, in the concentration mode we examine the lock on the front door.

We go into the next room, where Mr. Jones stands. We look at the cover that covers the piano in the corner. Consider the awards received by Jones, put on the shelf. We examine the notes on the music stand, we look at the broken shop window:

- fragments of a bottle;

- bow;

- a stain of blood;

- LOSUT FABRIC (rotate until an active point appears and pick it up);

- window lock.

scrap of cloth

"In the window, I found a piece of fabric with white spots."

We carry out chemical analysis of stains.

"Traces of salt and gunpowder are visible on the cloth."

We speak with Jones.

blood trail

"The thief cut himself on the glass and left a trail of blood."

We activate the “Blood Trail” evidence, enter the concentration mode, follow the traces of blood. We look at the end of the trail.

"The trail was ruined by the fruit vendor's cart."

We speak with the boy standing at the place where the trail broke off. In the concentration mode, we look at the trace left in the manure.

Donkey kidnapping

“It looks like some sailors stole not only the violin, but also the donkey. The owner didn't see it, but maybe the other merchants at the CATHEDRAL noticed something."

We put on the “Working Apron”, activate the evidence “Kidnapping of the donkey”. We turn to a merchant selling nearby.

"One of the merchants recalled sailors who were pushing a donkey at a drinking fountain near the arch with columns."

We approach the drinking fountain, in front of the arches we turn on the concentration mode.

“There are donkey tracks in the mud that you can walk on.”

We follow the trail, we find the cap dropped by the robbers. The trail leads us to the Wet Mustache Tavern.

We see a stolen donkey.

We rise to the entrance to the tavern. We listen to the conversation of two men.

Choose phrases:

- "Visitors are scared";

- "Violent sailors";

- "Thundering the tavern."

Drunken sailors

“Several rowdy sailors ransacked the Wet Mustache Tavern. They are furious and dangerous - it is not surprising that visitors are afraid to get under a hot hand.

We enter the tavern through the door on the left. We calm the unbelted sailors.

Tavern Search

“Now that no one is rowdy, it is fashionable to start looking for a violin. She must be somewhere in the tavern.”

We enter the tavern "Wet mustache".

We take the VIOLIN from the stool (rotate until the active point appears).

stolen violin

“I found a stolen violin. We must return it to Mr. Jones.

We go to the music teacher.

Sean's rescue

"John reminded me to tell the fruit vendor where his donkey is on the way back."

We approach the boy, inform him about the whereabouts of the donkey.

stolen violin

We activate the evidence "Stolen Violin". We pass into the house of Mr. Jones, we give him the violin.

familiar tune

The melody played by Mr. Jones brings back distant memories.

In concentration mode, look at the notes on the music stand.

“When we were kids, John and I often ran into the attic and listened to Mr. Jones for hours.

We speak with Mr. Jones.

warm message

"Anthony Jones gave me his violin."

Case: "Street tricks"

From the Cordona police building, we move along Harber Avenue to the southwest.

We stop to listen to the conversation of two men near the ruined table.

Choose phrases:

- "Young seer";

- "I tried to beat";

- "Called me a liar."

genius wizard

“The young fortune teller was attacked by one of the clients. He went berserk and tried to beat the boy when he called him a liar.”

Let's look at the counter:

- a deck of tarot cards;

- cobblestone;

- WIZARD'S HAT under the counter (rotate until an active point appears and take it to the wardrobe);

- overturned poster, to the right of the hat.

“Someone trashed the fortune teller's table. The victim's name is Dilvin. His outfit is adorned with sequins

In pursuit of a miracle

“To look for Dilwyn, John offered to put on a magician's hat. Perhaps now is not the time for such childishness.

We put on the "Wizard's Hat".

genius wizard

“Dilvin couldn't run far. I hope he's all right."

We fix the evidence "Brilliant wizard". In concentration mode, we follow the trail of the runaway boy.

We find Dilvin. We speak with the boy, we observe him:

- neck (recently beaten;

- trouser belt (baggy, old);

- right hand (black smudges);

- rosary on the left hand (expensive thing).

We create a portrait "A child from a rich family."

We choose what to offer the guy.

“I found Dilvin. I hope our conversation helped him. Helped me for sure."

In pursuit of a miracle

Looks like Dilvin is a big fan of the Brilliant Alonso.

We stop near the fortress.

Case: "Iron coffin"

At the market in Scaladi we listen to the conversation of two women .

Choose phrases:

- "Workshop Copello";

- "Corpse in the safe";

- "Does not admit guilt."

Games with the law

“John offered me to be a policeman, at least pretend. The suspects must not realize that I'm not really from the police.

We find a secluded place (in a clothing merchant's shop located nearby), put on " Police uniform " and "Police cap".

Dead man in the safe

“I was interested in the rumors about the arrest of Basilio Copello, the owner of the famous Copello workshop. The circumstances of the case are quite remarkable: the body of Nicolò Detti was found in a safe in Basilio's shop. Basilio claims to be innocent, but evidence suggests otherwise. He is being held in a cell at the police station.”

We activate the evidence "Dead man in the safe", we go to the Cordona police.

We follow into the prison wing, we go down to the basement. We go to the left, we speak with the man, near the camera of which there is a policeman. In a conversation, we affirm that we are a conscientious policeman.

Let's watch Mr. Copello:

- eyes;

- tie;

- left arm (bruise);

- a ring on the right hand.

Choose a portrait: "Methodical". We speak with Basilio Copello.

Testimony of Basilio Copello

“Basilio reported that someone broke into the workshop last night. Perhaps this seems important. Persons involved: Night watchman Billy Loyd, he is now in Copello's workshop on Adler Street east of St. Clement's Cathedral in Scaladi, and Augusta, Basilio's wife, she is waiting at the police station in the office of the inspector.

At the exit from the prison block we go to the room of inspectors, on the left.

We speak with Mrs. Augusta, we report that we are new here. Watching Augusta:

- eyes (glazed eyes),

- a brooch in the form of a harp on the chest,

- wedding ring.

We compose a portrait of "Impressive". We speak with the wife of Basilio. We leave the police station, head to the Copello workshop .

We enter the building.

We speak with Billy Loyd. We examine the open safe, read the "NOTE WITH A COMBINATION TO THE SAFE" on the counter. We look at the portrait on the wall on the right, we go up the stairs.

We examine the corpse in the safe:

- forehead;

- mouth;

- right hand;

- belly;

- traces of blood on the inner surface of the door.

Examination of the body of Nicolò Detti

"Foam is visible around the mouth, which is atypical for choking."

We carry out chemical analysis.

“Foam around the mouth appeared as a result of mild intoxication. Most likely, the victim drank wine.”

We examine the table in front of the fireplace:

- wineglass;

- a bottle of wine;

- a glass under the tabletop.

Business meetings

“In a strange place - under the table, I found a wine glass. They drank from it recently."

We pass through the second door to the office. We examine the table by the window:

- "THE HEIR OF CHILDREN RETURNS HOME" (note in the folder);

- DIARY OF BASILIO COPELLO;

- BUNCH OF WORKSHOP KEYS;

- LETTER FROM THE LAWYER.

DOCUMENTS - "Detti's Heir Returns Home."

Let's look at the second table:

- concert program (rotate until the active point appears);

- "NOTE TO AUGUST FROM BASILIO";

- two tickets to the performance.

We speak with Billy on the topic:

- "Examination of the body of Nicolo Detti";

- "Description of Augusta Capello";

- "Description of Basilio Copello";

- "A note with a combination to the safe";

- "Note to Augusta from Basilio";

- "A bunch of keys from the workshop";

- The Diary of Basilio Copello.

A bunch of keys from the workshop

"Only Mr. and Mrs. Copello have the key to the back door."

Breaking into the workshop

"Billy claims that during the escape, the perpetrator made her way through the bushes in the backyard."

We activate the evidence "Penetration into the workshop", go down and exit the workshop. We go to her backyard - we turn left and go under the archway.

Climbing the stairs, watching in concentration mode

- on the lock on the door;

- on the railing;

- to the place where the criminal jumped over the railing.

We select the LOCKPICK (we rotate until three active points appear and pick it up).

“In the bushes behind the workshop, I found a bag of picks. They have recently been cleaned.

We leave for the Cordona police archive. Set search parameters:

Crimes - "Theft";

Subjects - "Suspects";

Evidence - "The tools of the crime."

We go to the office of inspectors, we speak with Augusta:

- "Personal file of Felicia Sevilla";

- "Note on the combination to the safe";

- "Description of Basilio Copello";

We head to the prison block, go down to the basement. We speak with Basilio:

- "A note with a combination to the safe";

- "Note to Augusta from Basilio";

- "Diary of Basilio Copello";

- "Description of Augusta Copello".

Personal file of Felicia Sevigne

"The main burglar in the Yard Boys gang." The gang's hideout is located on Clay Street in the middle of the mining area."

good spanking

“John advised us to keep our eyes peeled when we were near the Backyard Boys criminals. It's just so dangerous to go to them, and we need information."

We leave for the Miner's Limit. We go to Clay Street, we open a new place " Yard boys ".

We overhear what the two guys are talking about.

Choose phrases:

- "Lame";

- "Market in the Miner's Limit";

- Agents-beggars.

“I learned that the Pipe Man, the gang's lame informant, was gathering his beggar agents. The pipe maker can be found in the market in the center of Mining's Limit on Market Road."

We go to the clothes merchant. We dress up in " Tags of the tramp ", we attach the "Blindfold for the eyes". We paste the “Long Ford”, draw the “Bruise under the eye”. We are heading to the " Miner's Market ".

In concentration mode, we find a lame person. We say:

"I have information";

"There will be an attack."

“I scared the bandits. Now they'll all be in one place."

Personal file of Felicia Sevigne

We change into a policeman, follow the lair of the "yard guys".

We pass through the gate . We fight with the bandits (or skip the fight).

"Felicia was moved to the interrogation room."

We enter the cell where Felicia is located.

Watching her:

- strange pendant;

- left shoulder (smart clothes);

- left leg (torn).

Select the "Ready for Anything" portrait. Asking questions.

Felicia Sevigne's testimony

“Felzia Sevigne admitted that she entered Copello's workshop on behalf of an anonymous client. The woman who found her at the scene of the crime, Felicia saw not so long ago in a romantic setting with Nicolo Detti.

We go to the room of inspectors, we speak with Augusta:

"What connected you with Nikolo?";

"I'm right?";

How did Nikolo die?