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Puzzling (Mis)adventures: Volume 5 - Unmechanical, Snapshot

Puzzling misadventures #5
Puzzling misadventures #5

There's just something endearing about cute little robots, isn't there? From WALL-E to R2-D2 to the nameless hero of Machinarium, the ability to emote only in bleeps and bloops and mute metallic gestures makes them eminently sympathetic characters. Less human, but often more humane, without all the negative traits of mankind grating on our nerves. They also tend to have unique abilities, which makes them intriguing game protagonists. In our ongoing quest for puzzles outside traditional adventure boundaries, this time we followed a pair of mechanical friends into quasi-platforming territory, and discovered two incredibly different experiences. Guess it's all in the programming.


A carefree glide over a lush green field is abruptly halted when you're unceremoniously sucked down into a mysterious underground world. Or perhaps that should be "innerground" world, as this is an organic realm of caves and lakes, tubes and coils, machines and levers, all powered by a giant beating heart at its core. Clearly you've descended to the innards of some massive living earth machine, with no obvious means of escape. As a tiny little bot now lost in the great unknown, you'll need to solve the many puzzles and traps that block the way out if you're to avoid becoming  digested "unmechanical" remains. 

Okay, I kind of made that last part up. It might actually be true, but with no story whatsoever in Unmechanical, all you really know is that you must begin to explore. You'll learn nothing more about the robot or the bizarre environment in which he (she? it?) is trapped. Odd random elements are introduced but never explained, then dropped with nary a word (literally, in this case). The basic premise is merely an excuse to drop you into an unusual puzzle-filled world, leaving you to your own devices to fill in any and all the blanks. Which is fine, as the resulting experience is a reasonably diverting 3-4 hour side-scrolling adventure, but it's a shame there wasn't more effort made to present a coherent narrative to complement the setting.

In fact, Unmechanical doesn't tell you much of anything. With no instructions or tutorial to get you started, I simply started hitting keys to learn what I could do. The answer: not much. That's not a criticism, just a statement of your limited abilities. With a little rotor on your head, you can easily fly up and down, left and right, or hover by doing nothing. Your sole means of interaction, besides merely bumping into things, is a tractor beam that lets you pull and carry objects with the mouse button. Not all objects, as you're not very big, but enough to lift small rocks, bombs, and metal beams. The controls are equally comfortable and intuitive using a gamepad, so you can alternatively sit back and enjoy the surprisingly relaxing gameplay if so desired.

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Despite its side- (and height-)scrolling nature, Unmechanical is no more a platformer than it is a traditional adventure. There's no combat, no fast reflexes required, no death-defying leaps, and only the mildest of timed elements to contend with, and rarely at that. You can't die or even fail in a "game over" sense, as the emphasis here is strictly on puzzles and free exploration. Challenges range from weighing down pressure pads to switching levers to balancing scales, but the obstacles get more challenging as you go along. You'll repeat Simon-style sequences, construct a rotating jigsaw gear, displace water levels, align electricity gauges, and reflect mobile laser-reflecting mirrors. Few of these are ever justified by context; they exist simply to block your passage through the next door, tube, or tunnel until solved.

Many of the solutions require using the terrain to your advantage, whether by jamming gears, dislodging wedged rocks, or powering generators with light orbs. Complicating matters are force fields that won't allow you to pass through with anything in tow, and underwater passages that you can't navigate until your bot learns to swim (the only new skill you'll acquire in the game, which works exactly like flying, except slower and underwater). There's nothing particularly new or inspired here, but because you're guiding your robot avatar physically, the process feels much more tactile than a point-and-click equivalent.

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The puzzle difficulty comes less from the solutions themselves and more from understanding the objectives to begin with. There are no overt directions offered, just the barest trace of pictorial clues to get you started, at best. That's usually enough for the self-contained puzzles (though the goal of one colour-based challenge completely eluded me until I looked it up), but there's a hint button you can press that causes a thought bubble to appear over the protagonist's... uhh, head (is it still a head when it's his entire body?). You don't always get a tip, though, and those you do get are pretty abstract. They also apply only to the current area, but the game is not strictly linear. Sometimes you'll need to branch off into different areas to perform an action that helps you solve an obstacle you encountered earlier. 

Fortunately, exploring proves to be a delight. It's occasionally difficult to make out new passages in the background, and there's no map to help you orient yourself through its more sprawling levels, but Unmechanical is a visual joy to behold. The Unreal 3 engine-powered graphics are crisp and clear, and while this is hardly a "beautiful" environment, its diverse mishmash of rocky outcroppings, crystal caverns, lava-spewing volcanoes, and wide assortment of mechanical contraptions makes the setting feel like a cobbled-together character in its own right. (Which, if its beating heart and tooth-lined intestinal tracts are any indication, it is.) The hues are subtle blues, greens, and reds, which suit the atmosphere perfectly, while animations are slick and smooth.

Soundwork is equally impressive in an understated way. The musical score consists largely of appropriate downbeat moody tones, occasionally sprinkling in some sci-fi tech tunes that don't fit nearly as well. There's no speech in the game, but effects are convincing, from the clanging of metal girders to the gentle whup-whup-whup of your own helicopter propulsion that starts up whenever you move. In a nice touch, both the music and sound effects become slightly garbled and distorted each time you submerge underwater. 

There really isn't much more to Unmechanical beneath the surface (so to speak), a fact punctuated by an abrupt ending that barely qualifies as such. A deep, lengthy, substantial experience this is not. But as an independent co-production from Talawa Games and Teotl Studios that began life as a student project in Sweden, it looks great, controls smoothly, and provides a leisurely way to spend a few entertaining hours. The puzzles won't blow you away with their creativity, but they will make you think and get your hands dirty in the process (or would, if you had any hands). There's no action to fear, just a bit of robotic exertion, and for a light afternoon of spelunking fun, Unmechanical hits most of the right buttons. There's a demo available at the official website, so there's no need to take my word for it. Check out this bleeping good blooping game for yourself!

Next up... Snapshot


Taking photos is all the rage these days. With a digital camera in every smartphone, we've become a society of shutterbugs that could put the paparazzi to shame. And why not? It's so easy and fun: all you need to do is point and click... That's certainly a familiar exercise for adventure fans, and it's exactly what makes it such an ideal gimmick for a game, so indie developer Retro Affect has done just that in its charming but surprisingly challenging puzzle-platformer Snapshot

Snapping pics alone wouldn't make for much of a game, of course, so here photography takes on a whole new dimension – literally. In the hands of an adorable little robot (or more accurately, in your hands on its behalf), the camera not only replicates an image, but captures the object itself on film to be used elsewhere later. You've heard about those tribes that think getting their picture taken means having their souls stolen? This is something like that. 

In Snapshot, a three-photo storage slot acts basically like an inventory. You can take pictures of anything, but only particular objects can be physically caught on celluloid. Armed with this unique ability, the goal is simply to guide your bot to the end of 50-odd standalone levels, collecting stars and snapping one unique item per level if so desired along the way. At first both the objects and obstacles are very simple, to ease you into the gameplay mechanics. There's nothing complicated about moving and stacking blocks to help you reach high ledges. But very soon the dilemmas become much more involved, and you'll need a variety of new photogenic items to overcome them. 

While the game is entirely built around its lone picture-taking conceit, it's very good at continually doling out new challenges and methods of approaching them. For super-high walls, a spring pad will do the trick, while an elephant can push stubborn heavy blocks, and puffy white clouds help bridge impassable gaps. You can even carry teleportation doorways that open to their twins elsewhere in the level. The further you get, however, the more abstract the conundrums. You'll need to master gravitational rings across spiky pits, ride moving platforms that constantly sink under your weight, and roll snowballs to increase their mass, to name just a few. You'll also encounter mystical monkeys that summon timed walkways, link balls of electrical currents, and eventually clone yourself.

Even with your magic camera, you can't just do whatever you want wherever you want, mind you.  Often items you need or have to influence are trapped in no-photo zones, forcing you to think more outside the box. Doing so often means factoring real-world physics into the puzzle-solving equation. Pressure plates may be out of reach, while distant objects too heavy to move may need to be rammed with projectiles. What if the level doesn't have any projectiles? Then you'll just need to make your own with the inanimate objects available to you. Your sole means of manipulating photos is rotating them before replacing them in the environment, so you must correctly angle monster-spewn rocks, exploding bombs, and even gusts of wind to maximize their usefulness.  This constant variety keeps the gameplay fresh, and just when you think you've got the hang of one skill, you can bet it's nearly time for the next.

But where Snapshot largely succeeds as a puzzle game, it's far less effective in its platforming elements. The bot can only run (slowly), jump (lowly), and cutely pull his antennae down to crouch through narrow passages. That's okay, as it keeps the focus squarely on mental acuity rather than the protagonist's physical prowess, but all too often the game relies a bit too much on the player's own dexterity. Placing photo items mid-jump to propel yourself even higher is tricky at the best of times, but the game further stacks the deck with learn-by-failure exercises that punish you by making you start the stage over from the beginning. In levels with immobile spitting enemies, a health bar appears that can withstand a number of hits, but there are plenty of instant-death spikes and drops to contend with as well. It's also easy to find yourself in an unwinnable state if you or an item fall in just the wrong way. 

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Adding to the frustration is the fact that any collectibles you've gathered are lost with each level restart. Often the toughest challenges are reserved for the bonus photo item or least accessible stars. That's perfectly logical (though you won't always know that's what you're pursuing), but spending many minutes securing the optional extras just to make one fatal mistake offers zero incentive to bother trying it all again. There's really no reward for doing so besides bragging rights anyway, but giving you credit for what you've already collected would have been far more reasonable and encouraged more exploration and derring-do.

Given the unforgiving nature of the design, there are two other features that would have really improved the Snapshot experience. The first is an "undo last move" option that would go a long way in preventing the need to repeat levels over and over again. The other is a "show map" option, or at least a scroll feature. Facing the unknown is an important aspect of pure platformers, but it's an arbitrary stumbling block for a puzzle game. Many times I'd trigger a pressure switch only to have no idea what occurred, while other times it's impossible to know whether a gap leads to a platform below or a game-over plummet to your death.

The controls don't always help either. You can play Snapshot with either the keyboard/mouse combo or gamepad, both of which have their advantages and disadvantages. The early onscreen tutorial is based strictly on the former, and it's very simple. The keyboard is used to move and jump, while left and right mouse clicks control taking and placing photos. It's much tougher to make difficult jumps this way, however, and rotating the photos is absurdly finicky with the mouse. Both robot movement and photo rotation feel far more comfortable with a gamepad, though it's much harder to take and place split-second photos with the right analog stick. I actually ended up alternating between the two options depending on the specific level requirements.

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You wouldn't necessarily expect such a difficult game from its colourful cartoon graphics. You'll move from sunny lush green forests to wintry caverns at night; from lava-spewing fiery volcanoes to hi-tech lab facilities. The hand-drawn environments aren't overly detailed, but they make for a very pleasant visual backdrop. The music has a synthesized light sci-fi feel that does the job of filling the void but is instantly forgettable. With no voice acting or even any real sound effects of note besides the familiar camera click, you could easily tune out the game's audio entirely. 

The lack of voiceovers isn't an issue here, because there's really no story to speak of in Snapshot. Between each of the game's four chapters there's a pictorial (naturally) of the robot chasing a butterfly through new and interesting scenarios, but otherwise there's no actual narrative tying the gameplay together. That's a shame, because even with the continual insertion of new items and challenges, the game starts to feel a bit samey after a while. It took me more than 12 hours to complete overall, in no small part due to the constant repetition of replayed levels, though I didn't come close to gathering all the collectibles. I couldn't even find quite a few of the secret photo items. To the game's credit, however, it's not necessary to finish every level to advance, so you could easily skip the more annoying stages (alas, the completist in me wouldn't let me do the same).

For a game with really just one core gimmick, Snapshot nicely leverages its unique concept throughout a lengthy and often entertaining puzzle-platforming experience. It's a far better puzzler than unnecessarily punishing platformer, and I found it best played in small doses rather than large ones. The longer I played at any one time, the less I enjoyed myself and the longer it took me to return the next time. But as soon as I did, I'd fall right back into a familiar rhythm of snapping pics to overcome obstacles and wondering what kept me away so long. There's really nothing else quite like it, so if you don't mind some (admittedly aggravating) do-overs, there's a lot here to like. It's anything but a snap, but it's well worth a shot, so check out the official website to learn more.


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