05-13-2006, 11:27 AM | #1241 | |
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05-13-2006, 12:02 PM | #1242 |
is not wierd
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Actually I'm pretty sure there was a lot more than just the nude scene added back into Amadeus, more to the tune of 20 minutes-worth (what my DC DVD says, anyway). In general, if there is a director's cut I'd always go straight to that one. It's rare that a movie is actually hurt by the additions because they were originally supposed to be there in the first place. I should note the distinction between "Director's Cut" and "Unr8d Edition" though, as it's sometimes pretty obvious that material that was never meant to be in the movie is added to these misleading "unrated" editions (unrated simply because they were nto shown to the MPAA, not because the content is so much racier). That sort of thing is marketing, not vision.
But if it's a movie that has a director I'm familiar with and/or respect, then I'd go for the director's cut automatically. |
05-13-2006, 12:30 PM | #1243 | |
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05-13-2006, 01:57 PM | #1244 |
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Wasn't Apocalypse Now Redux widely considered to be inferior to the original release, too?
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05-13-2006, 02:08 PM | #1245 |
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I decided to give M. Night Shyamalan a try, so I watched The Sixth Sense and The Village. They weren't bad, but they were boring for the most part.
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05-13-2006, 02:48 PM | #1246 |
woof
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Crash, it was an amazing movie.
Happy yet so sad
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05-13-2006, 03:14 PM | #1247 |
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I'm guessing you mean Haggis's Crash, not Cronenberg's Crash?
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05-13-2006, 03:15 PM | #1248 |
woof
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uuummm.....the one about Racial Discrimination....
It had Brendan Fraiser
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05-13-2006, 03:56 PM | #1249 | |
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05-13-2006, 05:04 PM | #1250 |
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Elizabethtown
It was tonights random pick from the veritable cornucopia* of film offerings on Sky Box Office. One word comes to mind - mediocre. There was absolutley nothing special about it. A redeeming quality was, that despite the weakness of the story, Orlando Bloom's performance appeared much less wooden than that which I've come to expect from him. As an aside I also liked his haircut. I'm sure the fact that I was thinking more about his hair than the film, is an indicator of its calibre. Chortle. * Sarcasm of hyperbolic proportions.
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05-13-2006, 05:28 PM | #1251 | |
woof
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05-13-2006, 05:44 PM | #1252 | |
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"Jatsie is amazing." - Jazhara "My mental image of Jat is a gentleman sitting in a leather armchair, wearing a robe. The light in the room is dim and strangely he's not sitting in front of a computer, but next to a small, round table with a box of cigars on." - Jelena |
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05-13-2006, 06:59 PM | #1253 | |
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Cronenberg's Crash > Haggis' Crash any ol' day of the week. (I think I've said that before in this very thread.) Haggis, just like in Million Dollar Baby, turned a decent premise into an over-the-top and, even worse, unbelievable melodrama. I'm well aware that some of the story wasn't supposed to be "believable" but that's not what I'm referring to--the melodrama aspects that came out in the last third or so just really didn't feel right, and the whole time I Was imagining some guy behind my television screen turning the movie into that simply to manipulate my emotions. If a drector can skillfully manipulate me then I'll gladly surrender myself, but Haggis didn't do it subtly enough at all for it to work for me. Same with Million Dollar Baby (which he only wrote), which was a real shame because before the last twenty minutes that was turning into an awesome experience. EDIT: and I'd have to agree with jat. Out of the nominees Brokeback Moutnai ndeserved it more than Crash. Actually History of Violence or Match Point or even New World deserved it more than either one though. Last edited by Spiwak; 05-13-2006 at 07:05 PM. |
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05-13-2006, 07:05 PM | #1254 | |
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05-14-2006, 01:28 PM | #1255 |
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Rashomon - Liked it. One of the movies I will be watching over and over again. Its amazing how deep you can go when discussing the different story versions with yourself. Thanks again, Spiwak.
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05-14-2006, 01:43 PM | #1256 | |
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05-14-2006, 03:37 PM | #1257 |
The Punisher
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Constantine
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05-17-2006, 07:19 PM | #1258 |
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Since Michael Mann is coming out with a Miami Vice movie this summer, I decided to watch Heat and Collateral. They were good, hard to say which I liked more. Heat had too much boring drama, but it had one of the best gun fights and something else to it that I can't quite put my finger on. Collateral didn't bore me, but sometimes felt a bit too cheesy or unbelievable.
Dog Day Afternoon - it was good. Kill Bill, Vol. 1 - a good movie overall. I liked the over-the-topness but sometimes it went a direction I didn't really enjoy. I haven't seen the second part yet, but I wish it hadn't gotten split up. This first part didn't feel like a complete movie. |
05-18-2006, 05:52 AM | #1259 |
Grah! Grah!
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On Dangerous Ground - Again. Nicholas Ray was one hell of a man. Anyone know if it's true he bagged Natalie Wood during the making of Rebel Without A Cause? I hope someday I can have a hundredth of the musical instinct Bernard Hermann did. I don't like the ending.
Trois Coleurs: Rouge - Turns out Kieslowski's not the intellectual prick I'd always taken him for. I blame it on having attempted to watch a VHS of Trois couleurs: Bleu years ago. Irene Jacob has a fascinating face. So few movies care for beauty nowadays. |
05-18-2006, 12:21 PM | #1260 | |
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