12-21-2006, 08:14 AM | #21 |
The Impostor
Join Date: Aug 2004
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Consider it expected, my dear Maxwell. I have roughly fifteen albums' worth myself, but the battle between my inner whore and inner critic is still raging, and I shudder at the thought of my prefacing comments.
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12-24-2006, 01:09 AM | #22 |
kamikaze hummingbirds
Join Date: Dec 2004
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merry christmas
and here it is. and as i say, it isn't that good at all. all recorded, edited/massacred, and mixed using GoldWave, w. music made through the use of the Creative keyboard link: http://www.sharebigfile.com/file/436...orted.zip.html
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The bin is a place for household rubbish, not beloved pets! Last edited by Hammerite; 12-24-2006 at 01:15 AM. |
01-06-2007, 01:29 AM | #23 |
Unreliable Narrator
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So, I wrote a little piece over the last couple of days. It's slow and slightly jazzy, sounds vaguely MIDI-like because I don't have anyone to play instruments for me, and contains absolutely no singing. I'll likely be using it as background music for a future game.
I Couldn't Find The Words
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01-06-2007, 02:47 AM | #24 |
Funky Member
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Location: Isla Vista California
Posts: 110
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Suffering from a very inconvenient bout of insomnia, I rediscovered my laptop's original media folder. Some of its musical contentes are here for you to judge and belittle.
Here are a pair general midi sequences which I am somewhat proud of: http://geocities.com/dominguezaudio/midi.zip Here is a recording of the output of a semi-random beatslicing thing I made in Pure Data and the original patch. http://geocities.com/dominguezaudio/randomslicer.zip Here is a somewhat ambient thing I made in Audacity using only a short clip from some speech I found on the internet as the only sound source: http://geocities.com/dominguezaudio/drone.zip Here is some spanish-ish sounding music I wrote for a class project. Its the sheet music, Sibelius score file, and a really messed up sounding midi version (which is at way to slow a tempo, leaves out a guitar part, and makes the other guitar's glisses sound like butt) http://geocities.com/dominguezaudio/final.zip Here is the beginning of a funky last minute final project for another class which was quickly discarded in favor of a really hacky bullshit (and easier to finish at the last minute) techno song instead: http://geocities.com/dominguezaudio/ccsfinalalpha.zip And finally, here is a unfinished ambient/disco piece based on the ever boring iiV7I chord progression. http://geocities.com/dominguezaudio/iiV7I.zip And since these are all hosted on a single geocities, my bandwidth will probably be exceeded on the off chance any of you care enough to download any of the last two tunes. |
01-06-2007, 06:28 AM | #25 |
The Threadâ„¢ will die.
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Anybody interested (hah!) in the music from Christmas Quest 2 can download it all...
Intro Medley (We Wish You a Merry Christmas; Deck the Halls) Good King Wenceslas Silent Night O Come, O Come Emmanuel God Rest Ye Merry Gentlemen Past Three O'Clock Enjoy. Possibly. |
01-06-2007, 07:51 AM | #26 | |
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01-06-2007, 01:27 PM | #27 | |||||
Not like them!
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01-06-2007, 01:31 PM | #28 | |
Not like them!
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By the way, how do you guys do all this fancy MIDI/digital stuff? |
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01-06-2007, 01:57 PM | #29 |
Unreliable Narrator
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Thanks for the critique.
In my case, I use a keyboard and Cakewalk Music Creator.
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Squinky is always right, but only for certain values of "always" and "right". |
01-06-2007, 06:26 PM | #31 | ||||||
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I actually like the melody so much that I made my own version of the tune: http://www.geocities.com/dominguezaudio/ICFTW.zip Quote:
Logic Fun (a cheezy freeware version of Logic, also for straight up Gmidi) Audacity (for audio editing) Sibelius (for making handwritten scores look presentable) Cubase SX (for non Gmidi sequencing with VSTs and audio and stuff) Pure Data/Max Msp (for audio programming stuff: building synths, generative music, interactive music, etc.) My only real bit of hardware (other than soundcards and instruments) is my Korg microKontrol midi controller. Last edited by portabello; 01-07-2007 at 08:32 PM. |
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01-07-2007, 04:19 AM | #32 |
Not like them!
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Thanks a lot!- I'll look into all this software. By the way, portabello, I can't access "ICFTW".
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01-07-2007, 08:32 PM | #33 |
Funky Member
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01-07-2007, 09:05 PM | #34 | ||
Unreliable Narrator
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Squinky is always right, but only for certain values of "always" and "right". |
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01-08-2007, 09:07 AM | #35 |
The Impostor
Join Date: Aug 2004
Location: ?
Posts: 640
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All right, I’ll post something here.
This is a song a friend and I wrote three or four years ago. The chord progression is based on a Bach fugue, but the melody — which in turn was adapted from an old folk song — hides this resemblance, mostly due to the fact that it avoids the root notes and acts more as a counterpoint to the chords, which is why it may sound unusual on the first listen. There are some fairly tricky modulations in there, but the arrangement, which literally took a month to complete (although perhaps that was just because of our lack of skill), does a good job of disguising the somewhat unusual jumps. Lyrically, I took my inspiration from the T.S. Elliot poem, The Love Song Of J. Alfred Prufrock, particularly its depiction of unrequited love, and Wordsworth’s Lucy Gray, though I certainly didn’t ape them. An understanding of those works does assist the overall understanding of this one, but it is by no means necessary. I also made a point of using masculine rhymes for the male’s perspective and feminine rhymes for the female’s perspective. It’s a conceit, granted, but it works surprisingly well in practice, even if you aren’t aware of it. Nevertheless, we balanced it out by creating tension in the musical accompaniment, wherein the feminine section is underscored with a harsher, more immediate backdrop, while the masculine section is more reflective and gentle. All this may seem a tad weighty, but the ironic affirmation of the title goes a long way to rectify that, despite its seeming superficiality. And I think there’s a healthy amount of humour, too. If you’re interested, the oddball rhyme scheme is: ABC ABCD ABC ABCD for the first two verses, and: AAB AAC AAB AAC for the last. And I told myself I wouldn’t preface it! Anyway, without further adieu, here it is. |
01-09-2007, 01:00 AM | #36 |
Not like them!
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Um, that is meant as a parody of something.. right? It's painful to listen to. |
01-09-2007, 01:02 AM | #37 |
Not like them!
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Ah, I hadn't read the whole preface. Yes, you must think you're awfully sophisticated or something for laughing at people who actually do have intelligent things to say. Thank you very much for wasting my time with that trash.
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01-09-2007, 01:33 AM | #38 |
The Impostor
Join Date: Aug 2004
Location: ?
Posts: 640
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Um... right. I was laughing at myself more than anybody (and certainly not anybody here), and I'm rather surprised it offended you. The song really was done four years ago. Oh, my innocent little four-in-the-morning joke!
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01-09-2007, 08:01 PM | #39 |
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A euphonium would sound amazing, especially if you transposed the peice up something like a third or fourth to better fit the horn's range. But, I meant more like recording the midi keyboard live (and possibly quantizing afterwords) as opposed to entering it in note by note. I think it would make the melody sound more natural. It would help keep it from sounding a bit rhythmically and dynamically flat.
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01-10-2007, 09:18 AM | #40 | |
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Hammerite: File not found. (I guess it was there once, but it's not anymore.) portabello: Well, you said it. Geocities... RLacey: I only listened to your music with the built-in Midi of my MacBook, so it obviously didn't sound great, but I liked it anyway. Good King W. not so much, but the others I liked. Like someone else said, Emmanuel is particularly nice, but I think Merry Gentlemen is my favourite.
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Play my game: Frasse and the Peas of Kejick. The Special Edition is now available! (Mac OS X or Windows.) |
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