Yeah, for instance when
Spoiler:Kronos calls Cath to his car for the first time. He. Articulates. Each. Word., and Cath lightly mocks him on the first couple of phrases.
When (and if) you have dinner with Abbot right after he comes aboard the train, Cath also mocks his you-know, matter-of-fact line of speech.
One more brilliant moment that just came to my head: after Cath dismantles the bomb and has a chat with Abbot in the smoking car, Anna leaves to her room. We notice how Cath's eyes aren't fixed on Abbot, and he's feeling restless, in another universe than his interlocutor, not paying him much attention. Or when Cath saves her from Vesna and she turns to go, the full-motion animation of their hands touching.
Bloody brilliant game. Timeless art.
